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In lucid prose, Mahsun picks her way through the misconceptions, outraged outcries, vehement defenses and plain nonsense and leads us , first to a working definition of "Pop Art" and, then, to a clearer understanding of its legacy to the art world.
Dine, Jim --- Rosenquist, James --- Johns, Jasper --- Rauschenberg, Robert --- Indiana, Robert --- Oldenburg, Claes --- Lichtenstein, Roy --- Warhol, Andy --- Segal, George --- Wesselmann, Tom
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Art --- Sculpture --- Drawing --- assemblages [sculpture] --- art [fine art] --- drawing [image-making] --- public art --- sculpting --- Oldenburg, Claes --- Bruggen, van, Coosje --- anno 1900-1999 --- United States --- art [discipline] --- United States of America
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History --- art history --- Art --- Kricke, Norbert --- Long, Richard --- Serra, Richard --- Chillida, Eduardo --- Beuys, Joseph --- Oldenburg, Claes --- Tinguely, Jean --- Wilhelm Lehmbruck Museum [Duisburg] --- anno 1900-1999 --- Wilhelm Lehmbruck Museum (Duisburg) --- hedendaagse kunst --- kunstprijzen --- Lehmbruck, Wilhelm --- 73.036 --- 73.036 Moderne beeldhouwkunst. Avant-garde beeldhouwkunst --- Moderne beeldhouwkunst. Avant-garde beeldhouwkunst --- kunstprijzen. --- Lehmbruck, Wilhelm. --- Chillida, Eduardo. --- Kricke, Norbert. --- Tinguely, Jean. --- Oldenburg, Claes. --- Beuys, Joseph. --- Serra, Richard. --- Long, Richard.
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drawings [visual works] --- drawing techniques --- drawing [image-making] --- tekenkunst --- tekeningen --- Oldenburg, Claes --- Bruggen, van, Coosje --- Artist couples --- Artistic collaboration --- Drawing --- Collaboration, Artistic --- Creation (Literary, artistic, etc.) --- Group work in art --- Artist pairs --- Künstler-paare --- Pairs, Artist --- Couples --- Bruggen, Coosje van --- Oldenburg, Claes, --- Oldenberg, Ḳlaʼes, --- Oldenburg, Coosje van Bruggen --- -Bruggen-Oldenburg, Coosje van --- Van Bruggen, Coosje --- Whitney Museum of American Art --- New York (N.Y.). --- Whitney Museum of American Art, New York --- Whitney Studio Galleries --- Exhibitions --- Bruggen-Oldenburg, Coosje van --- -Van Bruggen, Coosje
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kunst --- twintigste eeuw --- technologie --- wetenschap --- art nouveau --- Der Deutsche Werkbund --- kubisme --- futurisme --- suprematisme --- surrealisme --- Bauhaus --- De Stijl --- Cage John --- Kepes Gyorgy --- Malina Frank --- Kaprow Allan --- Oldenburg Claes --- Warhol Andy --- Judd Donald --- Morris Robert --- Stella Frank --- Flavin Dan --- Fontana Lucio --- Munari Bruno --- Bill Max --- Klein Yves --- Tinguely Jean --- Takis --- Zero --- Hamilton Richard --- Read Herbert --- Paolozzi Eduardo --- Banham reyner --- Archigram --- Riley Bridget --- Caro Anthony --- Fuller Richard Buckminster --- Rauschenberg robert --- Vostell Wolf --- video --- film --- Nauman Bruce --- Haacke Hans --- computerkunst --- 7.038
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Art, American
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Pop art
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#BIBC:ruil
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"Auf eine alte Kohlenwäsche eine Glasgewächshauskonstruktion, einen Elefanten aus Glas; schuf der Architekt, Maler und Grafiker Horst Rellecke im westfälischen Hamm und schenkte damit der Stadt und der Industrielandschaft des Ruhrgebiets eine aufsehenerregende Dominante. Der Glaselefant ist aber auch ein Stück Poparchitektur. Wie es dazu kam und warum gerade die Pop- und Postmoderne Architektur Wege zu einer phantasievollen Architektur eröffnen kann, zeichnet dieses Buch nach. Wichtige Vorläufer, Bezusgpunkte und Geschichtsmarker der Postmoderne wie auch der Pop-Art werden vorgestellt und der Blick auch auf Episoden und Randgeschehnisse der Architekturgeschichte gelenkt, die, obschon von der offiziellen Architekturbetrachtung nicht zur Kenntnis genommen, dennoch geestalterische Qualität, ja sogar Witz, auf alle Fälle aber Originalität repräsentieren. In diese Tradition ist auch der Glaselefant in Hamm einzureihen, ein Stück im besten Sinne populärer Architektur für eine doch noch recht graue bundesdeutsche Bauwelt. Das Buch ist ein Plädoyer für eine phantasievolle Architektur, die ihren Nutzern vielfältige Identifikationsangebote mach und zahlreiche Nutzungsmöglichkeiten eröffnet. Es wendet sich an alle an Pop-Kultur und moderner Kunst Interssierten."
Architecture --- Postmodern --- postmodernisme (kunst) --- Architecture, Postmodern --- Architecture, Modern --- Postmodernism --- Pop art --- 72.036 --- Verenigde Staten --- Los Angeles --- Las Vegas --- Disneyland --- Hamm --- Venturi, Robert --- Tigerman, Stanley --- Stern, Robert --- Takeyama, Minoru --- Stirling, James --- Hollein, Hans --- Ant Farm --- Archigram --- Site --- Christo --- Oldenburg, Claes --- Art, Pop --- Neo-Dadaism --- New super-realism --- Art, Modern --- Dadaism --- Surrealism --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Postmodern architecture --- Themes, motives --- Influence --- Postmoderne architectuur --- Postmodernisme (architectuur) --- Twintigste eeuw (architectuur) --- 20ste eeuw (architectuur)
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Much acclaimed and highly controversial, Michael Fried's art criticism defines the contours of late modernism in the visual arts. This volume contains twenty-seven pieces, including the influential introduction to the catalog for 'Three American Painters,' the text of his book 'Morris Louis,' and the renowned "Art and Objecthood." Originally published between 1962 and 1977, they continue to generate debate today. These are uncompromising, exciting, and impassioned writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg's account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theater, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions between his art criticism and the art history he went on to write. The result is a book that is simply indispensable for anyone concerned with modernist painting and sculpture and the task of art criticism in our time.
Olitski, Jules --- Poons, Larry --- Noland, Kenneth --- Stella, Frank --- Bolus, Michael --- Davis, Ron --- Pollock, Jackson --- Caro, Anthony --- Louis, Morris --- kunsttheorie --- kunstkritiek --- schilderkunst --- beeldhouwkunst --- twintigste eeuw --- Stella Frank --- Morris Louis --- Olitski Jules --- Caro Anthony --- Davis Ronald --- Noland Kenneth --- Bolus Michael --- Poon Larry --- Judd Donald --- Oldenburg Claes --- Twombly Cy --- De Kooning Willem --- 7.01 --- 7.038 --- Art, Modern --- Art. --- Art --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Primitive
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art theory --- urban planning --- monuments --- Metzger, Gustav --- Höller, Carsten --- Althamer, Paweł --- Oldenburg, Claes --- Asher, Michael --- Wallinger, Mark --- Alÿs, Francis --- Rickey, George --- Creed, Martin --- Gormley, Antony --- Gonzalez-Foerster, Dominique --- Wentworth, Richard --- Judd, Donald --- Eisenman, Peter --- Quinn, Marc --- Whiteread, Rachel --- Banksy --- Art and anthropology --- Art and society --- Art --- Public art --- #SBIB:316.7C210 --- #SBIB:39A5 --- Civic art --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Art and sociology --- Society and art --- Sociology and art --- Anthropology and art --- Anthropology --- Philosophy --- Cultuursociologie: kunst: algemeen --- Kunst, habitat, materiële cultuur en ontspanning --- Analysis, interpretation, appreciation --- Social aspects --- Environmental planning --- public art --- outdoor sculpture --- Philosophy and psychology of culture --- Christo
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Iconography --- Art --- Drawing --- Painting --- Film --- History --- assemblages [sculpture] --- installations [visual works] --- drawing [image-making] --- painting [image-making] --- art history --- video art --- scripts [writing] --- Zobernig, Heimo --- Oldenburg, Claes --- Parreno, Philippe --- Rinke, Klaus --- Bonin, von, Cosima --- Kippenberger, Martin --- Morris, Robert --- Roth, Dieter --- West, Franz --- Export, Valie --- Eliasson, Olafur --- Artschwager, Richard --- Boetti, Alighiero --- Fischli, Peter --- Hesse, Eva --- Pardo, Jorge --- Weiss, David --- Trockel, Rosemarie --- Pernice, Manfred --- Bulloch, Angela --- Benglis, Lynda --- Cadere, André --- Genzken, Isa --- Le Va, Barry --- Ruppersberg, Allen --- anno 1900-1999 --- 7.036 --- 7.036 Moderne kunststijlen --- Moderne kunststijlen
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